Dragon Bait and Animate

After a year of planning and working I can now present my final film: Cure Cure from Leah McEwen on Vimeo . Cure - Breakdown Reel from Leah McEwen on Vimeo . Leah McEwen 3D Generalist - Showreel 2018 from Leah McEwen on Vimeo .

I spent some time pulling together a rough pre-visualisation. This took a lot longer than I expected as I was learning how to use Cinemachine and setting up each Virtual Camera. This was a bit of a learning curve but it should save me time in the long run as all of the cameras are already set up.   Each half cog/half camera is a Virtual Camera linked in Cinemachine. These are very light and don't slow down the whole process as they only use 1 main camera. Some of the cameras are attached to the character and 'Look At' certain parts of her, her eyes, the device, her wrist etc. Once she's animated and walking the cameras should bounce along with her.    The whole scene has been updated in Unity so that each camera angle has a full background rather than too much white space. I have also downloaded and imported Unity's Post-Processing Stack. This helps change the look of the film into something closer to what could be achieved in Maya and Premiere Pro...

So I spent a few days updating my storyboards to make the timings a bit better and the story more clear. I then did the usual and put these all together in an animatic. (With some cheesy music...)

For my character assignment, I've been working on some storyboards for a while now. They are very rough and very basic so I want to go back and re-do them with a little more focus on movement and also have the ratio correct (16:9) or at least as close to that as I can. The story revolves around the Dragon Walker summoning a dragon from the fire outside her tent. Ideally, I think I'll add in an audience or the rest of the tribe watching her summon this as if it's a massive event that people come from all over to witness. Last week I also worked in ZBrush. Outside of class, this is the first thing I've created and I wanted to start with something a little smaller but still with a lot of detail so I decided to make the skull from the Dragon Walker concept art. It's still a really low resolution so I'll add detail later and increase the resolution to get a good final product. 

I've spent this week working on a set of storyboards for my final Master's Film as well as putting them together in a rough animatic. This really helped nail down some of the story and how the film might look when it's finally put together. It was a lot more work than I initially expected as I kept thinking of new storyboards that would be needed. I'm not an amazing rough artist, but I feel these boards get the story across. (Some of them are out of order here).

After talking through our inspirations and ideas yesterday, I went away and tried to research some styles and techniques that I could use in my final project and I think I know what sort of direction I want to go in. I love the low poly style of 3D modelling and animation but I don't want my film to look like a badly animated video game. I know a lot of good low poly work relies of keeping a sense of realism in the animation and not losing the character through a lack of definition. It also occurred to me that lighting in extremely important as that can change the entire mood of a scene but I have no idea where to look for lighting ideas in a low poly stylised animation. Until I stumbled upon an artist called Jona Dinges . Jona's low poly work is absolutely stunning and maintains a sense of self and personality across his designs. In particular he has some wonderfully lit mini scenes and even a small cloth simulation. This piece below was modelled in Blender be...

So after a long week, our 48 Hour Film is finally complete! We finished it up yesterday afternoon and showed it off today along with everyone else's work in class. I'm really proud of how everything came together and how everyone's ideas were listened to and incorporated into the final piece. We had loads of fun shooting it and got to play around loads in Premiere Pro with special effects and bringing the whole edit together which turned into a big collaboration! I have to say as well, Daphne made an excellent "comic addict"! In terms of dialogue we were really unhappy with how a lot of it had come out once we were editing the footage. Much of the dialogue hadn't been captured or was far too quiet to be of any use so I suggested a small voice over of Daphne telling us what she was going through a-la Blade Runner . I don't think the group was up for the idea to begin with but after convincing them I think it worked out really well and added an ext...